so this guy who is an immigrant becomes big and falls, rise and fall narrative type sh

Antonio 'Tony' Camonte

Francesca 'Cesca' Camonte

Poppy

John 'Johnny' Lovo

Insp. Ben Guarino

Guino Rinaldo

Angelo

Gaffney

Mr. Garston, publisher

Managing Editor

Mrs. Camonte

Chief of Detectives

Blonde at Paradise Club

Pietro, the Barber (uncredited)

Citizens Committee Member (uncredited)

Jim, the Headwaiter (uncredited)

Waiter at Columbia Cafe (uncredited)

Mabel (uncredited)
Odd to see Howard Hawks on this genre, but he directs this workman-like gangster effort steadily, managing to convey some semblance of the environment of fear and violence without actually turning it into a visual gory bloodbath. Paul Muni may have had top billing, but for me George Raft steals this - charisma a-plenty. Boris Karloff appears oddly miscast, but Dvorak and Morley play the roles of the molls quite effectively and Osgood Perkins plays the cowardly bully Lovo well. Holds up remarkably after almost 90 years!
April 9, 1932

Antonio 'Tony' Camonte

Francesca 'Cesca' Camonte

Poppy

John 'Johnny' Lovo

Insp. Ben Guarino

Guino Rinaldo

Angelo

Gaffney

Mr. Garston, publisher

Managing Editor

Mrs. Camonte

Chief of Detectives

Blonde at Paradise Club

Pietro, the Barber (uncredited)

Citizens Committee Member (uncredited)

Jim, the Headwaiter (uncredited)

Waiter at Columbia Cafe (uncredited)

Mabel (uncredited)
Odd to see Howard Hawks on this genre, but he directs this workman-like gangster effort steadily, managing to convey some semblance of the environment of fear and violence without actually turning it into a visual gory bloodbath. Paul Muni may have had top billing, but for me George Raft steals this - charisma a-plenty. Boris Karloff appears oddly miscast, but Dvorak and Morley play the roles of the molls quite effectively and Osgood Perkins plays the cowardly bully Lovo well. Holds up remarkably after almost 90 years!
